Last week, I proudly declared that I was going to chop books to save money and then only found two books to get rid of. I can guarantee that number jumps by one this week, but let's see how we do.
۞ The book that's gone is Trinity. I know this is a bit strange, as I was just singing its praises last week, but I realized with issue #3 that I just kind of don't care. The art is painfully static, the writing more than adquate but still not particularly interesting, and the plot unremarkable. Ironically, I think the weekly scheduling is working against the book -- I'd pay three bucks a month for this, but 12 bucks every month? For 12 months? I'd rather buy Wii Fit, or Rock Band Wii, or a palette-load of diapers at Sam's Club. Sorry for misleading y'all before, but I'm done.
۞ Glad I got that off my chest. Now we can turn to ... hmmm ... yeah, let's do another negative one before we get happy. I'm done with Flash. My go-to line on the book has been that I'll buy anything with Freddie Williams II art, but, well looks like I was wrong about that. I really hope DC can figure out what to do with this title, though, because I loved the character back in the mid-90s.
۞ On to happier things! (Happier things which, perhaps not coincidentally, include NO futher DC books. Hmmmm.) Still loving the Incredible Hercules. Last week I called Captain Britain the best thing to come out of Secret Invasion, but the God Squad here is pretty entertaining as well. Hell, writers Greg Pak and Fred Van Lente also manage to do something vaguely interseting with Nightmare, that depressingly dull knock-off of Neil Gaiman's Sandman. (Down to the word balloons, no less. Good lord, Marvel. Have you no shame?) Nice last page twist, also.
۞ My goodness, but the cover for X-Factor #32 is ugly. And dull. I think we should have a word for that. Dugly? Ull? I'll work on it. Anyhow, yeah, ugly cover but some really nice interior art from Valentine De Landro, and Peter David manages to keep building on the story he's telling here -- he's done an incredibly good job of rolling with the various crossover punches and still letting his story feel organic. Good book, hideous cover -- feel free to send Glenn Fabry back to Vertigo where he fits in a bit better.
۞ Although I have an avowed fondness for Mark Millar's writing of young kids, he's pretty clearly at his best when he's A) working in his Big Dumb Action Story mode, and B) he doesn't need to rely on a bunch of other writers making his ideas make sense. (I think B is what really crippled Civil War at points; Millar wanted to write creepy, vaguely incenstuous dialogue for Johnny Storm and Sue Richards, and the Fantastic Four writers had actually read the characters before.)
ANYHOW, Wolverine #66 sets off Millar's big Future Wolverine In The Bad Marvel Future story, and it looks like it's going to hew pretty close to his strengths. Still plenty of time, as always, for Millar to give in to his more puerile impulses ("...and then in issue #69, the villain has sex with the corpse of Wolverine's children!" or something like that), but he's set himself off to a very strong start.
۞ My favorite book this week, though, was one that most people probably missed: Genius #1, from Top Cow. It's part of their Pilot Season thing, where they release a whole bunch of first issues into the wild with virtually no publicity, and everyone votes on what should become an actual series. (Where "everyone" equals "all seven people nationwide who are aware of the promotion," I guess.)
Genius is a pretty clever book, though -- the high concept seems to be "What if the 21st century's military genius were born into an L.A. gang, and used her military tactics to band the gangs together to declare war on the cops." It works much better than it sounds thre, and the art is stinkin' GORGEOUS, somewhere between cel-shaded animation and Adam Hughes. This Afua Richardson girl is going to be big at some point, I suspect. (Unless she becomes big for her music, which is not entirely impossible either. Good, big voice. God, I loathe talented people.)
Anyhow, all of you should pester Sheldon to order this for you (Diamond Order Code: APR082211, I believe), and then vote for it to become a series, and only then will I accept your gracious thanks.
۞ And I also bought the final trade of Y The Last Man to read, having remained remarkably unspoiled as to the ending. Hopefully I'll get to that today, but I'm pretty confident it'll be fabulous.
Showing posts with label X-Factor. Show all posts
Showing posts with label X-Factor. Show all posts
Thursday, June 19, 2008
Tuesday, May 27, 2008
Comics Reviews...From the PAST!
Labor Day or whatever we just celebrated kind of threw me off. Plus, Verizon totally [edit] me over on installing my high-speed interwebs connection, so I still lack the ability to post from home. Because I still have dial-up. Because I have not advanced technologically since 1996, apparently (because, before that I had a 14.4 k modem, so I've moved up). Anyway:
The only DC book I read this week was, apparently, The Spirit #17, a book that continues its swift decent to be a strong competitor for "Worst Book I Read Out of Habit". Much like the other competitors (Game Keeper, Ultimate Fantastic Four, Ultimates 3... actually there's a lot of competition here) it's a book that I used to like, but the bailing of A-List (or at least competent) teams or individuals has absolutely destroyed it. Here, Darwyn Cooke made a terrific, enjoyable, all-ages package that has then been defamed by otherwise competent creators. This issue has Spirit taking a sea cruise and ripping off a plot from "Murder, She Wrote". The art, which had been by Mike Ploog and Paul Smith on previous issues, is by Aluir Amancio, whose cheesecake renditions seem out of place at best.
Indies also had a weak showing: I only picked up Gargoyles: Bad Guys #3, which I enjoyed. It's Gargoyles, so I'll spare you a review. But, it's like the show, but a comic.
Now, on to Marvel. Fun fact, a year ago, I was buying more DC than Marvel.
Amazing Spider-Man #560 continues a string of enjoyable Spidey stories. I had doubts, but really, it's the closest to a kid-friendly in continuity book either Marvel or DC has. People can complain about the violence but, come on, I read Grendel when I was far too young and I'm fine. Ish. Good stuff, really.
Captain America #38 just kind of rules. I don't know why every single comic-reading person is not buying this book. Great cover, awesome art, and the early reveal is just SO good. Brubaker is awesome at pulling off twists that are obvious and surprising all at once (see Criminal, Sleeper, et al). Plus, I am just happy Secret Invasion has not insinuated itself into his grand epic like, say, Civil War did (although, that worked out okay).
Fantastic Four #557 continues Mark Millar and Bryan Hitch's very decent run on the title. Hopefully, the next storyline will be an improvement, but it is depressing that the book I was looking forward to so much has turned into something so blah. It's better than Stracynski's run (or sprint), though.
X-Factor #31 was perfectly fine. And the Arcade story is done, so that's nice.
Rounding out the week, there were two Ultimate books (an improvement over past months that saw four to five Ultimate books ON THE SAME DAY), Fantastic Four and X-Men, and both were bad for their own, unique reasons. UFF #54 had some terrible Liefeld-meets-Turner art by Tyler Kirkham. Mike Carey's script is fine, though, if a little padded out to set up the "big reveal" (which was lame).
Then, there was Ultimate X-Men #94, which, just, baaah! I'm not going to defend Robert Kirkman here; his run was somewhere between awful and unreadable. He deliberately went against the established Ultimate continuity (how hard is it to pay attention to all of 50 issues of continuity, really). He wrote a spasmodic, borderline-masturbatory version of '90s excess comics. But, I swear, Aron Collete is worse. Because he writes his book like it IS a '90s X-Men book. Men of Mystery! Random violence! Characters spouting non-sense to build mystique! (Note: I don't care who really Sasquatch is, no matter how much you want me to). So, yeah, this is just a bad as Kirkman's run, but different bad.
And that's the week. I realize now that, if I didn't read bad books, I'd read no books at all. Which is depressing.
The only DC book I read this week was, apparently, The Spirit #17, a book that continues its swift decent to be a strong competitor for "Worst Book I Read Out of Habit". Much like the other competitors (Game Keeper, Ultimate Fantastic Four, Ultimates 3... actually there's a lot of competition here) it's a book that I used to like, but the bailing of A-List (or at least competent) teams or individuals has absolutely destroyed it. Here, Darwyn Cooke made a terrific, enjoyable, all-ages package that has then been defamed by otherwise competent creators. This issue has Spirit taking a sea cruise and ripping off a plot from "Murder, She Wrote". The art, which had been by Mike Ploog and Paul Smith on previous issues, is by Aluir Amancio, whose cheesecake renditions seem out of place at best.
Indies also had a weak showing: I only picked up Gargoyles: Bad Guys #3, which I enjoyed. It's Gargoyles, so I'll spare you a review. But, it's like the show, but a comic.
Now, on to Marvel. Fun fact, a year ago, I was buying more DC than Marvel.
Amazing Spider-Man #560 continues a string of enjoyable Spidey stories. I had doubts, but really, it's the closest to a kid-friendly in continuity book either Marvel or DC has. People can complain about the violence but, come on, I read Grendel when I was far too young and I'm fine. Ish. Good stuff, really.
Captain America #38 just kind of rules. I don't know why every single comic-reading person is not buying this book. Great cover, awesome art, and the early reveal is just SO good. Brubaker is awesome at pulling off twists that are obvious and surprising all at once (see Criminal, Sleeper, et al). Plus, I am just happy Secret Invasion has not insinuated itself into his grand epic like, say, Civil War did (although, that worked out okay).
Fantastic Four #557 continues Mark Millar and Bryan Hitch's very decent run on the title. Hopefully, the next storyline will be an improvement, but it is depressing that the book I was looking forward to so much has turned into something so blah. It's better than Stracynski's run (or sprint), though.
X-Factor #31 was perfectly fine. And the Arcade story is done, so that's nice.
Rounding out the week, there were two Ultimate books (an improvement over past months that saw four to five Ultimate books ON THE SAME DAY), Fantastic Four and X-Men, and both were bad for their own, unique reasons. UFF #54 had some terrible Liefeld-meets-Turner art by Tyler Kirkham. Mike Carey's script is fine, though, if a little padded out to set up the "big reveal" (which was lame).
Then, there was Ultimate X-Men #94, which, just, baaah! I'm not going to defend Robert Kirkman here; his run was somewhere between awful and unreadable. He deliberately went against the established Ultimate continuity (how hard is it to pay attention to all of 50 issues of continuity, really). He wrote a spasmodic, borderline-masturbatory version of '90s excess comics. But, I swear, Aron Collete is worse. Because he writes his book like it IS a '90s X-Men book. Men of Mystery! Random violence! Characters spouting non-sense to build mystique! (Note: I don't care who really Sasquatch is, no matter how much you want me to). So, yeah, this is just a bad as Kirkman's run, but different bad.
And that's the week. I realize now that, if I didn't read bad books, I'd read no books at all. Which is depressing.
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