So I have, like, eleven billion other things to do, most of which I'm even being paid for, so of course I'm doing this to procrastinate. But I'm going to make it quick, though! In, out, comment, done, bam!
(I also previewed a bunch of this week's Marvel books a few days ago but can't be bothered finding the link. Scroll down a bit.)
Here we go!
۞ What If This Was The Fantastic Four: A Tribute To Mike Wieringo is a review-proof book, really, because what kind of jerk would complain about paying five bucks to donate to the HERO Initiative in honor of a really terrific artist...? Okay, fine. I'll do it: this isn't a great comic. Wieringo was one of my favorite superhero artists, he brought a real sense of fun to his work, and his death really is a tragic loss for the comic book community as well as his family and loved ones ... but this isn't his strongest work by any stretch, and it's in service of a Jeff Parker story that's ... well-intentioned, anyhow. The tributes in the book are genuinely moving, and I'm glad to have bought it for charity purposes, but as a comic book, it's really only so-so.
Annnnnnnnnnnd that's me going to hell, I suppose.
۞ No Hero #0 from Avatar is an interesting book, Warren Ellis hammering his particular vision of superheroes onto a Marshall McLuhan/Timothy Leary type. Could go either way, but ... did Black Summer ever finish? I don't remember an ending, but can't see Ryp and Ellis starting something new with that still uncompleted. Yes? No? No time for questions! Onward!
۞ Oh, look, it's eleven thousand Secret Invasion crossovers! Runaways/Young Avengers is actually really strong; it captures the voices of both teams, and has some strong artwork from Spidey Loves MJ mainstay Takeshi Miyazawa. New Avengers #42 and Mighty Avengers #15 are both Bendis showing us what's REALLY been going in his books, and they're good if you're into that sort of thing.
I'm kind of tired of Bendis feeling compelled to actually show me whole entire scenes again and again, because I know something slightly new now, but whatever. It's not like I have to pay for it again each time or anythin-- wait, I do? Oh, well THAT'S annoying.
۞ My Matt Fraction love continues unabated with his work on Young Avengers Presents #6: Hawkeye. (And, seriously, the last issue of a mid-selling miniseries is suddenly written by Matt Fraction and drawn by ALAN DAVIS?!? What the hell?) The double entendre on "god, he moves so fast" alone is worth the cover price on this one. Great stuff. Make Sheldon try to reorder it for you.
۞ I'm going to be honest about this, even though I hate reviewers who say this sort of lazy crap, but I literally fell asleep during 1985 #2. Just dozed right off. Not a reflection on the book, I don't think -- I really am juggling a whole bunch of stuff right now, and it's tiring -- but ... yeah, I'm not really qualified to say. I don't like the art very much, though, so there's that.
۞ Meanwhile, over in the DC books....
You know, cutting all the DC books that I haven't been liking really makes their output seem much stronger to me. Green Lantern #32 continues to be an excellent (if somewhat unnecessary, maybe) retelling of Hal Jordan's origin -- I'm really liking this run on GL through and through. Pity about Green Lantern Corps, but I think I've already covered that.
۞ And the big one: Final Crisis #2 I loved it. Just loved it. It feels less like a stupid, continuity-heavy crossover "event" and more like one of Grant Morrison's better efforts on JLA. (Also, I didn't read Countdown or any affiliated books once I realized how terrible they were, so I couldn't care less about the continuity hiccups, which might help.) Anyhow, yeah, good, packed issue with a real sense of menace for the heroes and some characteristically great throwaway ideas from Grant Morrison. (Bullet shot through time indeed.) This one seems to be getting better with each page, unlike the whell-spinning Secret Invasion on the other side of the store. I'm optimistic.
Okay, back to real work. Bye.
Showing posts with label Mark Millar. Show all posts
Showing posts with label Mark Millar. Show all posts
Thursday, June 26, 2008
Thursday, June 19, 2008
Blah blah blah about 6/18 from Matt
Last week, I proudly declared that I was going to chop books to save money and then only found two books to get rid of. I can guarantee that number jumps by one this week, but let's see how we do.
۞ The book that's gone is Trinity. I know this is a bit strange, as I was just singing its praises last week, but I realized with issue #3 that I just kind of don't care. The art is painfully static, the writing more than adquate but still not particularly interesting, and the plot unremarkable. Ironically, I think the weekly scheduling is working against the book -- I'd pay three bucks a month for this, but 12 bucks every month? For 12 months? I'd rather buy Wii Fit, or Rock Band Wii, or a palette-load of diapers at Sam's Club. Sorry for misleading y'all before, but I'm done.
۞ Glad I got that off my chest. Now we can turn to ... hmmm ... yeah, let's do another negative one before we get happy. I'm done with Flash. My go-to line on the book has been that I'll buy anything with Freddie Williams II art, but, well looks like I was wrong about that. I really hope DC can figure out what to do with this title, though, because I loved the character back in the mid-90s.
۞ On to happier things! (Happier things which, perhaps not coincidentally, include NO futher DC books. Hmmmm.) Still loving the Incredible Hercules. Last week I called Captain Britain the best thing to come out of Secret Invasion, but the God Squad here is pretty entertaining as well. Hell, writers Greg Pak and Fred Van Lente also manage to do something vaguely interseting with Nightmare, that depressingly dull knock-off of Neil Gaiman's Sandman. (Down to the word balloons, no less. Good lord, Marvel. Have you no shame?) Nice last page twist, also.
۞ My goodness, but the cover for X-Factor #32 is ugly. And dull. I think we should have a word for that. Dugly? Ull? I'll work on it. Anyhow, yeah, ugly cover but some really nice interior art from Valentine De Landro, and Peter David manages to keep building on the story he's telling here -- he's done an incredibly good job of rolling with the various crossover punches and still letting his story feel organic. Good book, hideous cover -- feel free to send Glenn Fabry back to Vertigo where he fits in a bit better.
۞ Although I have an avowed fondness for Mark Millar's writing of young kids, he's pretty clearly at his best when he's A) working in his Big Dumb Action Story mode, and B) he doesn't need to rely on a bunch of other writers making his ideas make sense. (I think B is what really crippled Civil War at points; Millar wanted to write creepy, vaguely incenstuous dialogue for Johnny Storm and Sue Richards, and the Fantastic Four writers had actually read the characters before.)
ANYHOW, Wolverine #66 sets off Millar's big Future Wolverine In The Bad Marvel Future story, and it looks like it's going to hew pretty close to his strengths. Still plenty of time, as always, for Millar to give in to his more puerile impulses ("...and then in issue #69, the villain has sex with the corpse of Wolverine's children!" or something like that), but he's set himself off to a very strong start.
۞ My favorite book this week, though, was one that most people probably missed: Genius #1, from Top Cow. It's part of their Pilot Season thing, where they release a whole bunch of first issues into the wild with virtually no publicity, and everyone votes on what should become an actual series. (Where "everyone" equals "all seven people nationwide who are aware of the promotion," I guess.)
Genius is a pretty clever book, though -- the high concept seems to be "What if the 21st century's military genius were born into an L.A. gang, and used her military tactics to band the gangs together to declare war on the cops." It works much better than it sounds thre, and the art is stinkin' GORGEOUS, somewhere between cel-shaded animation and Adam Hughes. This Afua Richardson girl is going to be big at some point, I suspect. (Unless she becomes big for her music, which is not entirely impossible either. Good, big voice. God, I loathe talented people.)
Anyhow, all of you should pester Sheldon to order this for you (Diamond Order Code: APR082211, I believe), and then vote for it to become a series, and only then will I accept your gracious thanks.
۞ And I also bought the final trade of Y The Last Man to read, having remained remarkably unspoiled as to the ending. Hopefully I'll get to that today, but I'm pretty confident it'll be fabulous.
۞ The book that's gone is Trinity. I know this is a bit strange, as I was just singing its praises last week, but I realized with issue #3 that I just kind of don't care. The art is painfully static, the writing more than adquate but still not particularly interesting, and the plot unremarkable. Ironically, I think the weekly scheduling is working against the book -- I'd pay three bucks a month for this, but 12 bucks every month? For 12 months? I'd rather buy Wii Fit, or Rock Band Wii, or a palette-load of diapers at Sam's Club. Sorry for misleading y'all before, but I'm done.
۞ Glad I got that off my chest. Now we can turn to ... hmmm ... yeah, let's do another negative one before we get happy. I'm done with Flash. My go-to line on the book has been that I'll buy anything with Freddie Williams II art, but, well looks like I was wrong about that. I really hope DC can figure out what to do with this title, though, because I loved the character back in the mid-90s.
۞ On to happier things! (Happier things which, perhaps not coincidentally, include NO futher DC books. Hmmmm.) Still loving the Incredible Hercules. Last week I called Captain Britain the best thing to come out of Secret Invasion, but the God Squad here is pretty entertaining as well. Hell, writers Greg Pak and Fred Van Lente also manage to do something vaguely interseting with Nightmare, that depressingly dull knock-off of Neil Gaiman's Sandman. (Down to the word balloons, no less. Good lord, Marvel. Have you no shame?) Nice last page twist, also.
۞ My goodness, but the cover for X-Factor #32 is ugly. And dull. I think we should have a word for that. Dugly? Ull? I'll work on it. Anyhow, yeah, ugly cover but some really nice interior art from Valentine De Landro, and Peter David manages to keep building on the story he's telling here -- he's done an incredibly good job of rolling with the various crossover punches and still letting his story feel organic. Good book, hideous cover -- feel free to send Glenn Fabry back to Vertigo where he fits in a bit better.
۞ Although I have an avowed fondness for Mark Millar's writing of young kids, he's pretty clearly at his best when he's A) working in his Big Dumb Action Story mode, and B) he doesn't need to rely on a bunch of other writers making his ideas make sense. (I think B is what really crippled Civil War at points; Millar wanted to write creepy, vaguely incenstuous dialogue for Johnny Storm and Sue Richards, and the Fantastic Four writers had actually read the characters before.)
ANYHOW, Wolverine #66 sets off Millar's big Future Wolverine In The Bad Marvel Future story, and it looks like it's going to hew pretty close to his strengths. Still plenty of time, as always, for Millar to give in to his more puerile impulses ("...and then in issue #69, the villain has sex with the corpse of Wolverine's children!" or something like that), but he's set himself off to a very strong start.
۞ My favorite book this week, though, was one that most people probably missed: Genius #1, from Top Cow. It's part of their Pilot Season thing, where they release a whole bunch of first issues into the wild with virtually no publicity, and everyone votes on what should become an actual series. (Where "everyone" equals "all seven people nationwide who are aware of the promotion," I guess.)
Genius is a pretty clever book, though -- the high concept seems to be "What if the 21st century's military genius were born into an L.A. gang, and used her military tactics to band the gangs together to declare war on the cops." It works much better than it sounds thre, and the art is stinkin' GORGEOUS, somewhere between cel-shaded animation and Adam Hughes. This Afua Richardson girl is going to be big at some point, I suspect. (Unless she becomes big for her music, which is not entirely impossible either. Good, big voice. God, I loathe talented people.)
Anyhow, all of you should pester Sheldon to order this for you (Diamond Order Code: APR082211, I believe), and then vote for it to become a series, and only then will I accept your gracious thanks.
۞ And I also bought the final trade of Y The Last Man to read, having remained remarkably unspoiled as to the ending. Hopefully I'll get to that today, but I'm pretty confident it'll be fabulous.
Tuesday, June 10, 2008
Yesterday, Today, and Tomorrow - Matt gets caught up
Hey, so having a kid is time-consuming! Who saw THAT coming? Not me, obviously. Fortunately, she's a dreadful conversationalist, so I can safely read comics while rocking her and the like. Here are my reviews on last Wednesday's books, followed by a couple of "preview" reviews for books that'll be out tomorrow.
۞ Secret lnvasion #3 is, perhaps predictably, a huge disappointment to me. Issue #1 of this was exciting! It was punchy! Stuff happened and things blew up and there was a big surprise ending and wooooooooo! Since then, it's been a long, wanky fight scene (issue #2), and now this: the Marvel F-list fights bravely in New York! They all talk Bendis-y! Something bad happens to The Vision version 8.3, and I try manfully to remember who he is and where he came from and if I should care! There's one good paranoia scene that's got to be a fakeout (or DOES it?!?!), and then a cliffhanger where a bunch of heroes charge in to save the world and it would be amazingly cool, except that it's, like, the G-list of unrecognizable Marvel dudes.
Actually, it's not even the G-list -- it's a bunch of Bendis's pet characters who we know are awesome because he spent a whole issue of Avengers telling us that Nick Fury (who all the famous characters think is awesome) thinks these no-marks are awesome. THAT, my friends, is character development at its finest.
And Lenil Yu is clearly being rushed, as the cleaner line he was using in issue #1 is back to being the Sienkiewicz-ian scrawl he's perfected since Superman: Birthright. This is starting to feel an awful lot like Bendis's last Might Marvel Miniseries, House of Filler.
۞ A while back, Commenter Sean mentioned that he's been known to develop crushes on writers, and I know exactly where he's coming from. I was totally into Matt Fraction for awhile (Five Fists of Science, Casanova, that Spider-Man annual, Iron Fist), but then we got together and it was totally not all I was hoping it would be (Punisher War Journal). So I avoided him for awhile and he acted all embarrassed around me and it was totally awkward until we got drunk together at this party and made out, and there were no strings attached and that was pretty good except for that one part when Namor showed up (The Order). So now things are kind of okay again and I think I like him but I don't know how he feels about me and I'm afraid to ask because what if it makes things all weird, you know?
Which is a long way to go to say that Invincible Iron Man #2 is just as good as issue #1 was, and that you should be buying it and loving it and treasuring every moment with it, because it's summer and you can never tell what's going to happen to a guy on his summer vacation.
۞ I don't really want to make out with Justice Society of America #16, but I sure am pleased to bump into it. This is apparently the story that Geoff Johns has been setting up with the nigh-incomprehensible last four issues, because this is a sharp little character piece masquerading as a 1980's DC Comic (in the best possible way). Some nice swerves on the typical Galactus story, and a good use of the ridiculously large cast. Maybe I'll reread from issue #9 or whatever and see how it hangs together.
۞ I'm the dissenting voice on Kick-Ass #3, it appears. As I mentioned in my thoughts on Marvel 1985 a week or two back, I find Mark Millar surprisingly good at writing teen drama, so I liked the in-school bits, but the super-hero stuff remains dull to me, no matter how much violence he injects it with. I think this will read better in collection, to be honest.
۞ Trinity #1 is ... okay. It features the Superman-Batman-and-Wonder-Woman-sit-around-a-table scene that is apparently required in all 21st Century DC Comics, but THIS TIME THEY'RE IN THEIR CIVILIAN IDENTIES!!!!! ZOMG!!!!!!!!!!!!1111!!!! That said, at least Kurt Busiek doesn't feel compelled to cover the page with 75 billion different colored captions (like Brad Meltzer), or to weight the proceedings down with trite pseudo-psychological melodrama (like, oh, say, Brad Meltzer). It's not the Busiek of Astro City, nor even the terrific early Thunderbolts issues, but it's a solid superhero comic and a promising start to a weekly series. (Except for the backup, which I found literally unreadable. That might be a problem down the line.)
۞ Ultimate Origins #1 was always going to be a problem for me. I found Bendis's thin reinventions of the Marvel Universe in Ultimate Team-Up and Ultimate Spider-Man to be much less interesting than Millar's ground-up rethinks in Ult. X-Men and Ultimates. (Ult. Spider-Man overcomes this with some excellent craft and lively character drama, but Team-Up was pretty much an unmitigated disaster.)
So Ultimate Origins, being Bendis's unifying theory of the Ultimate Universe, was bound to accent the side of the Ultimate line that I find less interesting, and as such to disappoint me.
Which it does. (And I thought this was Butch Guice's worst art in a while as well.) At least it met expectations.....
۞ I also read The Boys #19, which was just as good as the rest of the issues have been, and as such not worthy of special praise or scorn. The price you pay for consistent work, I suppose.
۞ Which brings us to this week's preview books. It was a pretty thin bunch, a lot of things that I don't find interesting to begin with (Moon Knight) or didn't find particularly interesting once I had read them (Hulk: Raging Thunder, the apocalyptically grim X-Force: Ain't No Dog). But I do want to call special attention to Skaar, Son of Hulk #1, which overcomes a catastrophically stupid title to be a surprisingly good book.
For everyone who was disappointed that World War Hulk failed to be an adequate follow-up to the themes and ideas of Planet Hulk ... this is your book. Something like a really good Conan comic blended together with Marvel's sci-fi stuff, there's a lot of promise here, and it's worth checking out.
(Also, it contains 100% less Jeph Loeb than Marvel's other Hulk book, which guarantees a quality uptick.)
۞ Secret lnvasion #3 is, perhaps predictably, a huge disappointment to me. Issue #1 of this was exciting! It was punchy! Stuff happened and things blew up and there was a big surprise ending and wooooooooo! Since then, it's been a long, wanky fight scene (issue #2), and now this: the Marvel F-list fights bravely in New York! They all talk Bendis-y! Something bad happens to The Vision version 8.3, and I try manfully to remember who he is and where he came from and if I should care! There's one good paranoia scene that's got to be a fakeout (or DOES it?!?!), and then a cliffhanger where a bunch of heroes charge in to save the world and it would be amazingly cool, except that it's, like, the G-list of unrecognizable Marvel dudes.
Actually, it's not even the G-list -- it's a bunch of Bendis's pet characters who we know are awesome because he spent a whole issue of Avengers telling us that Nick Fury (who all the famous characters think is awesome) thinks these no-marks are awesome. THAT, my friends, is character development at its finest.
And Lenil Yu is clearly being rushed, as the cleaner line he was using in issue #1 is back to being the Sienkiewicz-ian scrawl he's perfected since Superman: Birthright. This is starting to feel an awful lot like Bendis's last Might Marvel Miniseries, House of Filler.
۞ A while back, Commenter Sean mentioned that he's been known to develop crushes on writers, and I know exactly where he's coming from. I was totally into Matt Fraction for awhile (Five Fists of Science, Casanova, that Spider-Man annual, Iron Fist), but then we got together and it was totally not all I was hoping it would be (Punisher War Journal). So I avoided him for awhile and he acted all embarrassed around me and it was totally awkward until we got drunk together at this party and made out, and there were no strings attached and that was pretty good except for that one part when Namor showed up (The Order). So now things are kind of okay again and I think I like him but I don't know how he feels about me and I'm afraid to ask because what if it makes things all weird, you know?
Which is a long way to go to say that Invincible Iron Man #2 is just as good as issue #1 was, and that you should be buying it and loving it and treasuring every moment with it, because it's summer and you can never tell what's going to happen to a guy on his summer vacation.
۞ I don't really want to make out with Justice Society of America #16, but I sure am pleased to bump into it. This is apparently the story that Geoff Johns has been setting up with the nigh-incomprehensible last four issues, because this is a sharp little character piece masquerading as a 1980's DC Comic (in the best possible way). Some nice swerves on the typical Galactus story, and a good use of the ridiculously large cast. Maybe I'll reread from issue #9 or whatever and see how it hangs together.
۞ I'm the dissenting voice on Kick-Ass #3, it appears. As I mentioned in my thoughts on Marvel 1985 a week or two back, I find Mark Millar surprisingly good at writing teen drama, so I liked the in-school bits, but the super-hero stuff remains dull to me, no matter how much violence he injects it with. I think this will read better in collection, to be honest.
۞ Trinity #1 is ... okay. It features the Superman-Batman-and-Wonder-Woman-sit-around-a-table scene that is apparently required in all 21st Century DC Comics, but THIS TIME THEY'RE IN THEIR CIVILIAN IDENTIES!!!!! ZOMG!!!!!!!!!!!!1111!!!! That said, at least Kurt Busiek doesn't feel compelled to cover the page with 75 billion different colored captions (like Brad Meltzer), or to weight the proceedings down with trite pseudo-psychological melodrama (like, oh, say, Brad Meltzer). It's not the Busiek of Astro City, nor even the terrific early Thunderbolts issues, but it's a solid superhero comic and a promising start to a weekly series. (Except for the backup, which I found literally unreadable. That might be a problem down the line.)
۞ Ultimate Origins #1 was always going to be a problem for me. I found Bendis's thin reinventions of the Marvel Universe in Ultimate Team-Up and Ultimate Spider-Man to be much less interesting than Millar's ground-up rethinks in Ult. X-Men and Ultimates. (Ult. Spider-Man overcomes this with some excellent craft and lively character drama, but Team-Up was pretty much an unmitigated disaster.)
So Ultimate Origins, being Bendis's unifying theory of the Ultimate Universe, was bound to accent the side of the Ultimate line that I find less interesting, and as such to disappoint me.
Which it does. (And I thought this was Butch Guice's worst art in a while as well.) At least it met expectations.....
۞ I also read The Boys #19, which was just as good as the rest of the issues have been, and as such not worthy of special praise or scorn. The price you pay for consistent work, I suppose.
۞ Which brings us to this week's preview books. It was a pretty thin bunch, a lot of things that I don't find interesting to begin with (Moon Knight) or didn't find particularly interesting once I had read them (Hulk: Raging Thunder, the apocalyptically grim X-Force: Ain't No Dog). But I do want to call special attention to Skaar, Son of Hulk #1, which overcomes a catastrophically stupid title to be a surprisingly good book.
For everyone who was disappointed that World War Hulk failed to be an adequate follow-up to the themes and ideas of Planet Hulk ... this is your book. Something like a really good Conan comic blended together with Marvel's sci-fi stuff, there's a lot of promise here, and it's worth checking out.
(Also, it contains 100% less Jeph Loeb than Marvel's other Hulk book, which guarantees a quality uptick.)
Wednesday, June 4, 2008
Yeah...About That
Well, this week I'm apparently wearing my angry hat because of one particular book. That book is Ultimate Origins. I have no problem with the Guice. Hell, I have no problem with them trying to go back to the ultimate mission statement of it being a unique universe that has the same characters. What I do have a problem with is, the reveal on the those last couple of pages. That and the fact that they have apparently ignored just about everything Mark Millar did in the burgeoning days of the Ultimate U by giving a certain , pivotal, character powers that have never been mentioned, hinted at or considered even in the books Bendis himself wrote. Oh, and that isn't even the reveal that I am talking about which is frankly silly be comic book standards, but I'll still finish the series. So go check it out to know what will be breaking the internet by the weekend. And now onto the rest of the books.
Secret Invasion # 3 - Like my opinion matters on this one. For what it's worth it's an improvement on the last issue, but still not as good as the first issue. And yes, they tease the unthinkable again. Actually, my only real problem with it is that it seems from time to time that they tease reveals of certain characters (you know who) that seems like it would drop a huge deuce on a lot of quality work that other creators have been doing in the past couple of years. As it's own book though, it's a decent read. And Yu is doing some of the finest work of his career. So, annoying teases aside it's an improvement over last issue. I know I can't wait until issue #5 for the startling return of Mantis. That's a joke...I hope.
Kick Ass # 3 - It's Millar at his Millariest and at some points it teeters on being Ennisish sensibilities. And I couldn't be more thrilled. Still a fun read and it only looks to be getting better. I think that sums it all up really.
Invincible Iron Man #2 - Damn fine. Fraction is keeping up the good work on this one. It's charming, it's got action and yup...Just go buy it.
Cable #4 - Kind of meh. As time wears on I tend to get bothered by some of the things Olivetti does from time to time. I mean I dig the way he renders characters, but some of the effects, the cars and action look a little off from time to time. I mean this is the man who left the Quake 2 targeting reticule in a background in War Journal. Anyway, as for the other content this book is kind of dragging. It's just another example of the modern trend of stretching out what would have been a two issue arc fifteen years ago into at least 4-6 issues for the sake of trade publishing. It's not really that bad it's just drawn out. Makes me afraid for Iron Fist.
Avengers/Invaders # 2 - I have absolutely no idea how this book is going to run for 12 issues. I mean it's been alright so far, but I really think they could wrap this up in a couple more issues. Unless, inevitably, the Avengers get sent through the time bubble and Luke Cage punches out Hitler or Wolverine and 40's Wolverine team up or something. Actually, the most potentially interesting element involves one of the grunts that ended up in the future with the Invaders. And the potential for 2 Submariners showing up next issue. Oh, points off for the bomb arm thing. That just seems bizarre. And if anyone can find evidence of that being an actual tactic well, I'll just be even more disturbed. Pretty much, this book is right in the middle of the pack.
The Boys # 19 - This book had returned to form in the previous arc, and this arc looks to continue the trend. The big thing that changed it was a return to telling stories about characters and attempting to develop them. So, yup, I'd give it the slight thumbs up.
Trinity # 1 - It can't possibly be worse than Countdown... It's not. I seriously have no idea where this is going though, but I'm a sucker for the weekly because, well, it's weekly. I'm going to wait a couple of issues until I pass judgment because this is pure exposition. But at least it'll have consistent art as opposed to Countdown. Also I never knew that I would actually miss 52 as much as I did during the Countdown period.
Well, that's it for me for now. Still haven't read War Journal and I haven't finished Detective yet. If anything that should be a review in and of itself. So there you go. That's about it. I read most of Young X-men and it's, well, Young X-men. With one of the silliest cameos of the year. Why can't we just bring back New X-Men already? And this arc on Spidey was alright which makes me think the next one will probably be awful. Seems to be the way that book goes.
Secret Invasion # 3 - Like my opinion matters on this one. For what it's worth it's an improvement on the last issue, but still not as good as the first issue. And yes, they tease the unthinkable again. Actually, my only real problem with it is that it seems from time to time that they tease reveals of certain characters (you know who) that seems like it would drop a huge deuce on a lot of quality work that other creators have been doing in the past couple of years. As it's own book though, it's a decent read. And Yu is doing some of the finest work of his career. So, annoying teases aside it's an improvement over last issue. I know I can't wait until issue #5 for the startling return of Mantis. That's a joke...I hope.
Kick Ass # 3 - It's Millar at his Millariest and at some points it teeters on being Ennisish sensibilities. And I couldn't be more thrilled. Still a fun read and it only looks to be getting better. I think that sums it all up really.
Invincible Iron Man #2 - Damn fine. Fraction is keeping up the good work on this one. It's charming, it's got action and yup...Just go buy it.
Cable #4 - Kind of meh. As time wears on I tend to get bothered by some of the things Olivetti does from time to time. I mean I dig the way he renders characters, but some of the effects, the cars and action look a little off from time to time. I mean this is the man who left the Quake 2 targeting reticule in a background in War Journal. Anyway, as for the other content this book is kind of dragging. It's just another example of the modern trend of stretching out what would have been a two issue arc fifteen years ago into at least 4-6 issues for the sake of trade publishing. It's not really that bad it's just drawn out. Makes me afraid for Iron Fist.
Avengers/Invaders # 2 - I have absolutely no idea how this book is going to run for 12 issues. I mean it's been alright so far, but I really think they could wrap this up in a couple more issues. Unless, inevitably, the Avengers get sent through the time bubble and Luke Cage punches out Hitler or Wolverine and 40's Wolverine team up or something. Actually, the most potentially interesting element involves one of the grunts that ended up in the future with the Invaders. And the potential for 2 Submariners showing up next issue. Oh, points off for the bomb arm thing. That just seems bizarre. And if anyone can find evidence of that being an actual tactic well, I'll just be even more disturbed. Pretty much, this book is right in the middle of the pack.
The Boys # 19 - This book had returned to form in the previous arc, and this arc looks to continue the trend. The big thing that changed it was a return to telling stories about characters and attempting to develop them. So, yup, I'd give it the slight thumbs up.
Trinity # 1 - It can't possibly be worse than Countdown... It's not. I seriously have no idea where this is going though, but I'm a sucker for the weekly because, well, it's weekly. I'm going to wait a couple of issues until I pass judgment because this is pure exposition. But at least it'll have consistent art as opposed to Countdown. Also I never knew that I would actually miss 52 as much as I did during the Countdown period.
Well, that's it for me for now. Still haven't read War Journal and I haven't finished Detective yet. If anything that should be a review in and of itself. So there you go. That's about it. I read most of Young X-men and it's, well, Young X-men. With one of the silliest cameos of the year. Why can't we just bring back New X-Men already? And this arc on Spidey was alright which makes me think the next one will probably be awful. Seems to be the way that book goes.
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